SpoonSpecial Guest Cherry Glazerr
Collective Concerts presents
Spoon tour in support of the new album Hot Thoughts, stopping in at Massey Hall July 25th.
Hot Thoughts, Spoon’s 9th album, is the bravest, most sonically inventive work of their career, though keep in mind, Britt Daniel has already overseen a number of other reincarnations. With all due respect to earlier efforts that have made the band both critically acclaimed and a commercial contender, preconceptions about Spoon are about to be obliterated. That’s not to say Hot Thoughts doesn’t have a requisite supply of infectious earworms — WE DIDN'T SAY THIS WAS A DIFFERENT BAND (though this is the first Spoon album with no acoustic guitar) — but there’s a lyrical bent that’s as carnal as it’s crafty, and a newfound sense of sonic exploration that results in the genre-smasher Spoon have flirted with in the past but not fully consummated.
Without question, the prior works of Daniel, drummer Jim Eno, bassist Rob Pope and no-longer-a-secret weapon Alex Fischel have scaled some lofty heights, but Hot Thoughts is a daring, futuristic chapter in the Spoon story. Daniel’s spot in the pantheon of rock's genius songwriters was established long ago—but with the crackling, incandescent, multi-dimensional backdrop conjured on Hot Thoughts, the lines between accessible and experimental become non-factors for once and all. It’s pop as high art, delivered with total confidence and focus.
Cherry Glazerr was dreamt up by Clementine Creevy at age 15 in her LA bedroom. Having released their debut, Haxel Princess, on much-loved Cali imprint Burger Records and the scorching Had Ten Dollaz 7" on Suicide Squeeze, the band has now evolved into a wildly complex, hugely guitar heavy, and unapologetically loud machine. The catchy hooks in Cherry Glazerr's songs offer a counterpoint to the purposeful social commentary and incisive humour which has been ever-present since the band's formation. Bolstering Clem's vision is the loud-in-every-way-possible drummer Tabor Allen and the level-headed, nevertheless bad-ass, multi-instrumentalist Sasami Ashworth.